Last night I went to the Denver Art Museum's world premiere of Stacey Steers' new film, Night Hunter. It was an interesting blend of artistic dreamlike images and disturbing sequences. The film left me with tangible themes drawn from the web of unconscious, alluding to reproduction, loss and fear. There is an installation in the fusebox, on the fourth floor in the new wing of the museum, if you are local and interested. The film consists of over 4000 tiny collages made by the artist over a four year period and each second of footage represents no less then 8 collages. Now that is dedication.
Some days, you just have to forget about ‘healing’. You have to stop trying to feel better, trying to overcome your emotional wounds, or trying to be anywhere other than where you are. You have to embrace the day as it is. And you have to give yourself the most sacred permission of all: To shatter. To break. To be an ugly mess. To lean into a place of utter humility and powerlessness in yourself. To cry out to the heavens, “I can’t do this!” To admit utter defeat in the loss of the life you had imagined. To crumble to the ground, lonely and hopeless and profoundly ruined. To want to die, even. And there, in the darkest places, in the blackness of the underworld, you may begin to rediscover... life. And learn to love the beginnings. A sacred reboot: A single breath. The way the sun warms your face. The sound of a tiny bird singing in the tree over there. The raw simplicity of a single moment of human existence. Hell has been transmuted, thr...

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